001Batch 001 — run of 50Satin Pinstripe Polo
CA$95Limited edition streetwear polo in satin-faced pinstripe, cut boxy with a striped rib collar and an embroidered black rose at the chest. Hand-finished in a numbered run of fifty.
Shop the workBatch 001 Live — 50 Numbered Pieces Worldwide — Complimentary Shipping On All Orders

Chapter I — Industrial Surrealism
We do not sell garments. We release works — mineral-washed, cut raw, finished by hand in numbered runs that will not return.
Shop Satin Pinstripe Polo — CA$95Batch 001 — Limited to 50 Numbered Pieces
Limited runs · Acid wash · Raw hems · Chrome · Oxblood · Dark romance · Limited runs · Acid wash · Raw hems · Chrome · Oxblood · Dark romance
Maison Fontane is a Toronto studio releasing limited edition streetwear as conceptual works. Every piece is acid-washed, cut with raw hems and hand-finished in numbered runs of fifty. Nothing is restocked; when a run closes, it belongs to whoever moved first.
001Batch 001 — run of 50Limited edition streetwear polo in satin-faced pinstripe, cut boxy with a striped rib collar and an embroidered black rose at the chest. Hand-finished in a numbered run of fifty.
Shop the work
002Batch 001 — run of 50Acid wash distressed tee in heavyweight cotton jersey with a raw hem and a chrome bloom graphic. Limited edition streetwear, mineral-washed and hand-finished in a run of fifty.
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003Batch 001 — run of 50Acid wash distressed tee carrying the skeletal hand print, cut with a raw hem in heavyweight cotton. Limited edition streetwear released in a numbered run of fifty.
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004Batch 001 — run of 50Acid wash distressed tee with the silver emergence graphic and raw hem, mineral-washed until the black surrenders. Limited edition streetwear in a numbered run of fifty.
Shop the workWaitlist
One email when the next numbered run opens. Nothing else.
We never share your email.

Worn
Symphony of Sin — Batch 001


Worn
Satin Pinstripe Polo — Black Rose
Manifesto
Every work begins as a defect. Fabric is drowned in mineral wash until the colour surrenders, hems are severed rather than stitched, and the surface is left to remember the damage.
Onto that ruin we press a polished image — chrome dolls, skeletal hands, roses cut in silver ribbon. Industrial surrealism against dark romance. The contradiction is the point.
Runs are small and never repeated. When a work is gone, it belongs to whoever moved first.
